POWER OF OUR WOMBS is an ode, a tribute, and honor work. It’s my mirror work to go back and fetch- infant me. It’s my ‘personal responsibility’ towards Sankofa. I hope these poems elucidate or better yet sing both the gospel and the blues of my entrance and when I’m gone, my legacy. Knowing the power of our wombs, the homes I’ve had, has finally made me proud of my origin story. These stories are turning the loss and grief, the abandonment and isolation, the distrust, the shame, from dirty pain to clean pain. I’ve come to accept these experiences as the other face, the agreement of love and for love. This book is for youth of rage, the parent, the social worker and even the lawmaker. It’s for the long awaited conversation at the dining table, it’s for families reuniting.
More On My Writing
Growing up, I was smitten for my music loving-and-playing uncles which led me to fall in love with the art they adored; expressions such as: Ragtime/Jazz, Country, and Funk music. This rhythmic upbringing led me to songwriting and composition, as well as a healthy indulgence in drum set, percussion, guitar, and flute. Evermore, my pleasure of R&B and my need for Hip-Hop/Rap and Metal/Heavy Metal reinvigorated my own focus on where love and tragedy meet rage and protest, meet rhythm. One of my greatest compliments is that my writing translates like music. I find this could not be more true because the impact that music has had on my self expression is incalculable. As it pertains to my writing influences, my earliest aspirational canonized literary writers and thinkers were Maya Angelou, Langston Hughes, Zora Neale-Hurston, Toni Morrison, Phyllis Wheatley, Claude McKay, and James Baldwin. But to truly become the writer I am today, four + years ago, around 2019, when I redirected my focus towards a professional writing career, I knew I needed a deeper dive into the written arts to find authors with writing styles and voices akin to mine. Throughout this journey, I have found myself to be most influenced by Fatimah Asghar, Warsan Shire, Danez Smith, Mahogany L. Browne, Alok Vaid-Menon, June Jordan, Gwendolyn Brooks, Claudia Rankine, Wanda Coleman, Truong Tran, Mimi Tempestt, and many more. Aside from penning personal narratives, I value creating solidarity and protest poems, ode, obit, and elegy/eulogy poems, and other prose pieces for lengthier narratives. My writing style seeks to have no limits so I implore freeform and canonized poetry styles from mainstream and undervalued cultures. I have played with sonnets, ballads, epics, pantoums, decimas, to ghazals, to playing with/no punctuation and many other impactful crafting techniques. Writing is as much about the internal experience, the product which exists like a keepsake or memento for me- the writer, but also the communal experience which is the self expression, the witnessing by others (and even better the uplift of others) and their testimonials.
I frequently, read my poetry at open mics and book readings! In the future, I hope to republish my book as a full length collection. I hope to have my book discussed in book clubs, in college classes, and be on more bookstore and libraries shelves. Finally, I aim to explore biographical writing, memoir writing, historical fiction, plays, screenplays, flash fiction, short fiction, and journalism.